James Romig is an American composer born August 5, 1971, in Long Beach, California. He was a finalist for the 2019 Pulitzer Prize in Music.[1][2][3][4][5][6][7][8]
. . . James Romig . . .
- 2019 Pulitzer Prize in Music, finalist (Still, for solo piano)
- 2019 Copland House Award and Residency
- 2019 Petrified Forest National Park, Artist in Residence
- 2018 Guest Co-Editor of Perspectives of New Music issue celebrating Charles Wuorinen‘s 80th year
- 2017 Everglades National Park, Artist in Residence
- 2012 Grand Canyon National Park, Artist in Residence
- 2011 Copland House Award and Residency
- 2009 Petrified Forest National Park, Artist in Residence
- Still (2016) for solo piano [Finalist for the 2019 Pulitzer Prize in Music]
- Petrified Spaces | Spaces | Spaces Petrified (2019) for alto saxophone and vibraphone
- Replicas (2019) for piano and orchestra [commissioned by the Waterloo–Cedar Falls Symphony]
- Palindragram (2018) for solo flute
- Onomatopieces (2017) for percussion
- Pynes (2016) for flute and piano
- Angles of Response (2015) for clarinet and piano
- Bridges (2014) for orchestra [commissioned for the 100th anniversary of the Quad City Symphony]
- The Line Begins to Blur (2014) for vibraphone and piano
- Time Seems to Pass (2013) for two pianos
- Dorsia 2a (2013) for vibraphone and harp [commissioned by Duo Harpverk]
- Out Of Frame (2012) for marimba trio
- Leaves From Modern Trees (2011) for flute and piano
- Disposition/Reflection (2011) for solo piano
- Glaciers (2009) for orchestra
- Recall Coordinator (2008) for flute and vibraphone
- Second Piano Sonata (2007) for solo piano
- Small Worlds (2006) for flute, clarinet, violin, cello, piano
- Ferocious Alphabets (2005) for clarinet and violin
- A Slightly Evil Machine (2005) for percussion
- Piano Sonata (2004) for solo piano
- Transparencies (2004) for solo piano
- The Frame Problem (2003) for percussion trio)
- Islands That Never Were (2003) for vibraphone and piano
- Oiseau Miró (2001) for flute
- Variations (1999) for string quartet
- Vibraphone Sonata (1997)
- Block (1996) for percussion
- Still. Ashlee Mack, piano. New World Records: NWR 80802-2. 2018.
- Time Seems To Pass. New Muse Piano Duo. Blue Griffin Records: BGR 407. 2017.
- Leaves from Modern Trees: Chamber Music 1999–2016. Various artists. Parallax Music Press: PMP 172. 2017.
- Time Seems To Pass (extended version). Khasma Piano Duo. Parallax Music Press: PMP 171. 2017.
- Dorsia 2a. Duo Harpverk: “Offshoots.” Greenhouse Studios. 2014.
- Out of Frame. Millikin Percussion Ensemble: “Premieres.” First Step Records: FSR 5012. 2012.
- Ferocious Alphabets. Perspectives of New Music Vol. 49/2. PNM/OS CD3. 2012.
- Transparencies. SCI CD Series: “Mosaic.” Navona Records: NV 5825. 2010.
- Ashlee Mack. The New Yorker. December 2, 2019.
- Composer Finds Complexity of Nature an Inspiration. Grand Canyon News. Published: June 12, 2012.
- Composing A Tradition. Wag Magazine (Westchester, NY) article about Copland House. Published: September 1, 2011.
- Romig Receives Composer’s Award. Western Courier. Published: March 2, 2011.
- Romig Named to Copland House Residency. Western Illinois University press release. Published: February 16, 2011.
- Five Things To Do This Weekend. Springfield (Illinois) State Journal-Register. Published January 27, 2011.
- Augustana Symphony Concert. Quad Cities Online. Preview article for the premiere of Romig’s “Percussion Concerto.” Published: October 13, 2010.
- 3×5 Interview with James Romig. James Romig interviewed by George Hufnagl. Published: January 19, 2010
- Seattle Percussion Collective Marches To Its Own Beat. Seattle Times. Preview of concert featuring two Romig works. Published: January 13, 2010.
- File Under?. Splendid E-Zine. Review of James Romig’s “Piano Sonata.”
- Chasing the Musical Rainbow. New Music Connoisseur. Review of Romig’s Piano Sonata. Published: 2006.
- Luna Nova Proves It’s A Shining Star. Birmingham (Alabama) News. Review of “Ferocious Alphabets.” Published: June 29, 2005.
- Extended Techniques for Flute. Musical examples from James Romig’s “Sonent 2” and “Oiseau Miro.”
- Today In Classical Music. Classical Almanac.
. . . James Romig . . .
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